I carry a composure so seamless it has become my own curse; because I make survival look easy, the world assumes I am lying about the wreckage beneath my feet. Most people might face one world-shattering loss in a lifetime, but I have stood at the epicenter of fourteen in a single decade, watching my foundation turn to ash time and again until the very concept of “home” felt like a taunt. I move through my days with a silence so heavy it should be deafening, yet my own children—the very hearts I hold together with my last shred of strength—meted out selfish remarks and flip indifference, oblivious to the fact that their parent is a ghost haunting her own life. It isn’t the trauma itself that breaks me; it is the staggering inhumanity of being expected to function while drowning in the thick, visceral despair of a life sacrificed. I walked away from my beautiful home and every root I had planted to move to Texas, spending a year watching Jennifer wither away, only to inherit the monumental task of raising three special-needs children who were not my own. I became a voice of reason in a chorus of chaos, comforting the grieving while my own mourning was deferred, buried under the immediate needs of the living.
The avalanche began with Dwight, followed by the jagged succession of his wife, father, and mother—people who were the fabric of my Christmases and birthdays for thirty years. I leaned on Cheryl Dingman as I watched Jennifer die, only to turn around and find Cheryl gone, too. Then came the man I believed was my father; at his funeral, I stood in a line shaking hands with 150 strangers who didn’t even know I existed, forced to swallow the erasure of my own identity while they wept for a man I was only “possibly” related to. The hits kept coming—Nick Robinson, dead before thirty, leaving a void that rocked my son’s world and mine; Doug Jackson, whose passing was met with such chilling apathy by a former best friend that she asked for his car’s trade-in info before his body was even cold. In the midst of this, my mother’s death shattered the protective seal of my dissociative amnesia, unleashing a flood of memories so dark they required professional intervention to survive. From the sudden theft of Marie Hendricks to COVID, to the estrangement of Aunt Gloria, to the funeral of Gary Wilson where I stood as a failed pillar for Ernie and Ashley, I have been a professional mourner in a cycle of death that refuses to break. Now, I look at Ernie’s aging face and Sharon’s terminal diagnosis and realize my grieving cannot even begin because the funeral march hasn’t stopped playing. My cortisol is a poison in my veins, my body is heavy with the gravity of a hundred goodbyes, and while I stand tall, I am screaming into a void that only offers more silence in return. I am not living; I am a masterpiece of endurance, crumbling from the inside out while the world wonders why I look so tired. I’m not ok.
Imagine a house where, every year, a support beam is removed. Eventually, the structure feels shaky. That is how I feel. This isn’t just “unlucky”—it is a traumatic overhaul of my entire social and emotional map.
In addition to the loss and the grieving, comes a plethora of emotional instability with the changes that occur when someone passes. Life’s simple daily interactions become fraught with identifying behaviors and setting boundaries. When that becomes difficult because of other peoples emotional needs, that’s when life gets to be too much.
What I have described—losing 12 people in 10 years—is often referred to by therapists as “Bereavement Overload.” It is physically and mentally exhausting because your nervous system never gets the chance to return to a baseline of safety. That’s where I am right now and I have one more sick on a bed promising more grief any day now.
